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Steinberg HALion Sonic 3 (Digital Download)
Complete workstation with over sounds and 40 GB of samples · Synthesizer sound engine with virtual-analogue synthesis, wavetable, and granular synthesis, as. HALion Sonic SE 3 is available for free as a plug-in for any VST3, VST2, AU and AAX compatible host and as a stand-alone application for macOS and Windows. Steinberg’s HALion Sonic 3 is a powerful all-in-one workstation containing nearly any sample you’d need for composing, plus synths, plus much more.
Steinberg Announces HALion 6, HALion Sonic 3 and Absolute 3 : – VST Instrumente
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Virtual Synthesizer Workstation Complete workstation with over sounds and 40 GB of samples Synthesizer sound engine with virtual-analogue synthesis, wavetable, and granular synthesis, as well as tone wheel organ Sample playback with disc streaming 24 Different filter characteristics Multitimbral sound engine with 16 MIDI channels FlexPhraser for creating phrases and complex rhythm patterns 65 Integrated effects 16 Stereo outputs 32 Stereo outputs and 6 channel surround support Includes different instruments such as The Raven Grand, The Eagle Grand, Hot Brass, Studio Strings, Anima Wavetable Synthesizer, Skylab, etc.
Concise sound management via MediaBay Note: Software license only — without data storage device. System requirements: Internet Connection for Installation and Activation. Item number Wind Instruments No. E-Pianos Yes. Orchestra Instruments Yes. Organs Yes. String Bass Yes. Sampler No. String Instruments Yes. Synthesizer Yes. Vintage Instrument No. Hardware Controller No.
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Steinberg HALion Sonic 3 – Thomann UK – Get inspired with VST Instruments
The Germany-based company has been around since , and they have built a loyal following over the years. HALion Sonic 3 uses the Soft e-Licenser copy protection which is installed along with the instrument, and uses an access code for downloading and activation.
It is also available in a standalone version. The easy answer is that HALion 6 has everything needed to develop additional content — things like a sampler capability, a wavetable editor, the tools for developing hosted instruments with custom GUIs, and so forth. After you are all squared away with the download and activation, you will be ready to load some sounds and take it for a spin.
I will get to how you go about recording within the workstation you could also trigger it with MIDI from your DAW , but first I wanted to cover a few other items.
This will bring up the Load Dialog, a browser with columns of information for selecting by Category, Sub-Category, Style and Character. This is where the editing of the sound takes place for the preset.
The controls that are displayed will differ with every sound set. I took my time in browsing through many of the presets, and there is a high quality of sound within the huge 25 GB library. A large variety of instruments have been included: orchestral instruments, drums, guitar, bass, organs, pianos, brass, many ethnic types of instruments, chromatic percussion, vocals, woodwinds, and more.
Steinberg has already done that work for you, so you can get on with the production of music. If you are more interested in the importing, editing and manipulating of the audio, you may want to take a look at the full-blown HALion 6. I will cover a few of those now. When I was browsing around through the huge number of presets, I ran into some of the synthesis-based instruments that make up HALion Sonic 3. The two main oscillators can have up to eight-voice unison with detune and stereo spread, plus Anima has a sub-oscillator as well.
An arpeggiator is also included, and there are two LFOs. The wavetable that is loaded can be viewed in 2D or as a 3D version which you can rotate around in different directions. The arp is actually quite nice, and it has several settings you can tweak. There are many different patterns that can be loaded in, and you can save your own as well. Skylab is another synth included in Halion Sonic 3. It has a good deal of sampled material with which to work and includes two modes: Sample and Grain.
Sample mode uses a basic load-it-and-play approach — pretty straightforward sample playback. Its filter section and distortion can add varied types of character to the audio, and the envelopes and LFOs are very similar to the Anima synth.
The real fun starts when you switch it to granular mode, as additional controls appear for Position, Duration, Level and Pitch. Each of those also has a random control that lets you dial in many more variations for the sample playback e.
Some of the other controls let you set the amount of grains and configure the stereo width. Skylab also has a modulation matrix to assign targets for modulation and an arpeggiator. Both Skylab and Anima merit dedicated reviews since there is so much packed into both of them. It is a step-sequencer type of drum plugin. There are several different type of samples for each part. For example, there are different kick and snare drum sounds, 32 high, mid and low toms, 64 crash cymbals, and many others to choose from.
Delay and Reverb top off the drum sounds with some added effects. Since this is a workstation, you can load up to sixteen different instruments on the left side of the display.
Each one you load in has its own Mute and Solo buttons. On the Mix page, the individual instruments can be panned, have their levels adjusted, and each of them has four effect sends more on the effects later. Clicking the Edit tab brings you to a display where you can change a program. Each program can consist of up to four layers with a different type of sound on each layer.
The five layer types are drums, samples, synth, sliced loop, and instrument. So you could add up to four instances of the same instrument or two of one instrument and two of another, etc. Speaking of effects, there are four effect busses available. Each of the busses can have up to four effects loaded in. These can be routed to the main output or to one of the other fifteen individual outputs.
Clicking the Edit button will bring up the controls for that particular effect. Another nice function is that you can easily click-and-drag to move an effect into a different slot or bus, or copy it to another slot. Besides those four busses, there are also four effects slots available on the main output. These effects could be used for overall EQ or maybe some compression, reverb, etc. Some presets are included for each effect, and you can save your own.
The FlexPhraser and Pads function are both very useful. The FlexPhraser can be used to make pre-made chord strumming and arpeggiated patterns. These can be easily accessed there are loads of them already on board or you can create and save your own. They are organized in the dropdown menu by types such as Synth, Bass, Guitar, Piano, etc.
Loops can be played by individual slice or the full loop. The pads on the left side can play back chords, and it is very easy to set them up. Right-clicking on a pad brings up a menu where you can use the Snapshot Chord feature.
Many other controls are available to alter the way the phrases are played, such as Swing, Gate and Velocity Scale, Hold, Trigger Mode, and much more. Along with being an awesome source for so many varied sounds, you may record your ideas into the plugin itself. However, you can record your separate tracks one after the other using different instruments, and use the built-in metronome to help keep you in time with all of your tracks. The MIDI file that is created from all this can also be saved, or you can choose to load one that you worked on earlier.
After you hit record for the second time, you could just play the keys in one of the other sections of the keyboard assigned with a split on a different instrument. Another way to do this is to have each instrument on its own MIDI channel, so then you can use all of the keys for each instrument. It might be a control that is hidden away within the displays, and normally you might have to dig down a bit to find it, but when you use these Quick Controls it is very easy.
Right-clicking on a control such as filter cutoff brings up a menu. From there you can select to assign it to one of the eight Quick Controls. These can be assigned per-program. The curve settings can also be adjusted for each, making them logarithmic or exponential. This depends on the curve having either a positive more of a logarithmic value or negative more of an exponential value. The Sphere Control is located to the right of the on-screen keyboard, and it lets you adjust two different parameters such as cutoff and resonance.
It overflows with sample content and very useful synths. Steinberg thought through the details in this product extremely well. This will give you back some of your valuable screen real estate. It would be a helpful if Steinberg eventually adds different display sizes for larger monitors, but for now it has a good middle-of-the-road size on my by resolution display.
If you want more customization, scripting, sampling, and other added features, I recommend HALion 6. I for one happen to really like HALion Sonic 3. With its all-in-one production capabilities, excellent samples and synths, it can easily guide you into your next musical masterpiece.
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Steinberg HALion Sonic 3 – Thomann UK – Host Applications
These can steinberg halion sonic 3 review free download routed to the main output or to one of the other fifteen individual outputs. The HALion Sonic 3 VST workstation adds revlew 25 GB of high-quality samples to the sound library with four new acoustic instruments, including strings, brass and two grand pianos, plus two new synthesis-heavy instruments revieew use of the brand-new wavetable подробнее на этой странице granular synthesizers. It doesnt get much easier that that! Phone Number. Click here to view all Steinberg products. The easy answer is that HALion 6 has everything needed to develop additional content — things like a sampler capability, a wavetable editor, the tools for developing hosted instruments with custom GUIs, and so forth.