Ingest and Proxy Workflow in Premiere Pro

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

After you enable the metadata, as your files are ingested into your project panel from Media Encoder, look to see if there is information in the proxy file name and location columns in your Project Panel. If you see data here, this means proxies have been created and are attached to your original resolution clips. Now that proxies are created, how do you edit with them?

First, continue editing the way you normally would in Premiere Pro. Create your sequence and drag your clips in. After you click the button, it will turn blue. If the File Metadata and File Rename presets are not moved to the new computer, the ingest preset does not function correctly. To do this:. Select the desired metadata or rename preset from the dropdown, then select the second dropdown to the right of the selection dropdown.

The menu item is enabled when one or more items in the panel are selected that can be proxied. Premiere Pro can create proxies for master clip project items if they have video, have no captions, and are not growing files. The media must also be online. You can also choose to create proxies in a Proxies directory next to the original media, or in a custom location. To easily identify proxy files in the Program monitor, select Add Watermark.

Premiere Pro presents a progress dialog box while it prepares proxy creation jobs to send to Adobe Media Encoder. A proxy job is then created in Adobe Media Encoder for each of the project items chosen that can be proxied, and an offline proxy is attached to each project item. While the jobs are processed, continue to work with the corresponding high-resolution project items in Premiere Pro.

When the proxy jobs are complete, Premiere Pro automatically switches to displaying the proxy video in the Timeline if Enable Proxies is enabled in the Media preferences panel. Premiere Pro does not need to remain open while proxy jobs are processed in Adobe Media Encoder.

If you quit Premiere Pro before all jobs are complete, any proxies created while Premiere Pro is not running are attached when Premiere Pro is launched and the document is reopened. There are a number of ways you can tell whether you are working with proxies or your original files. The Toggle Proxies button on the Program monitor allows you to toggle proxies. But it also indicates if you are working with proxies.

If this button is blue, it means proxies are enabled, if it’s grey, they are not. There are also badges in the sequence – both on the timeline and the Project panel indicating the status. If this icon is red, it indicates that the proxy files are offline. Premiere Pro is unable to find them because they have been moved or deleted. If you selected Add Watermark while creating proxies, Premiere Pro displays a watermark that is visible on the lower left of the files in the Program Monitor.

These are also burned into the file on disk. When transcoding or creating proxies, the renders in Adobe Media Encoder are displayed in the progress panel. Status can be Waiting NOTE: When transcoding or creating proxies in Adobe Media Encoder, you can pause and restart the render queue, without canceling the connection to Premiere Pro, allowing automatic attachment of proxies to continue to occur between Premiere Pro and Adobe Media Encoder.

If you stop the render queue in Adobe Media Encoder, any connection between proxies and original files are lost, and no automatic proxy attachment takes place. If the queue in Adobe Media Encoder is stopped, you must recreate all transcode or proxy jobs. These two options are used for manual attachment of Proxy or Full Res media. These options are useful if you create proxy media outside of the Create Proxies workflow for example, media created via third party software, hardware, or a combination of both or you want to reattach Proxy or Full Res media to Offline clips.

Mismatched audio channels results in warning dialogs and are not allowed, but other mismatched video parameters are not blocked and results in issues. Other file types for example, audio-only, stills, image sequences are not supported.

You can also assign shortcuts for each option in the Keyboard Shortcuts dialog box. If you decide you want to change the Full Res or Proxy of a clip, you can choose either option again and attach a different clip. These buttons and Preference are linked, so setting it one place sets it in the others. If you move the Project to another system, the preference is determined by what was set on that system, not the Project. When set, the button turns blue which indicates that you are viewing Proxy in the Source and Program Monitors.

You can also set a shortcut for Toggle Proxies in Keyboard Shortcuts. Click the check box and a Proxy column is added to the panel in List View. The column is blank if no Proxy is attached, it lists as Attached if a Proxy is attached to a clip, and it lists as Offline for an attached Proxy that is missing or Offline. There are two places where you can view information of the Proxy clip: Properties and Info Panel.

Table of contents. About the software. Required files. How do you rate this software? Click on a star to rate it! Fast internal SSD for app installation and cache Additional high-speed drive s for media. How do you edit with them? Well, first create a new sequence from the original clip in your project panel. Then from the Program Window click on the «Toggle Proxy» button. After you click the button will turn blue.

This will that switch the clip in the timeline to work with the proxy version of the clip. And now you are editing with proxies! If you have any questions about proxies, please leave a comment below and watch the full tutorial here to make sure you understand the steps!

 
 

 

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How to Use Proxies to Edit Fast in Adobe Premiere Pro CC — Premiere Gal.http://replace.me

 
 
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